3dsmax - Render Settings

Owned by Systems Next Limit (Unlicensed)
Last updated: 24 Nov, 2020 by Next Limit

In order to use Maxwell for rendering from Max, open the Render Settings panel and select Maxwell Render as the Production renderer in the Assign Renderer rollout. This section documents only the Max-specific settings; for an explanation of the common Maxwell render options, please see this page.

Common Tab

The plug-in takes into account all the output file name, render size and time settings that are found in the Common tab of the Render Settings panel. Currently only the "Single", "Active Time Segment" and "Range" settings are supported.



The plug-in supports most formats from the Image format, namely: PNG, JPG, TGA, BMP, TIFF, EXR, HDR.

When rendering the current frame, Maxwell will use the camera attached to the active viewport.

General Settings

Click here for a description of the Maxwell render options, such as Sampling Level, Multilight etc. The following settings are specific to the 3dsmax plug-in:

Scene Scale Factor

All the positions and distances in the scene will be multiplied by this value on export. Since the plug-in handles unit conversions automatically, this setting should only be modified in scenes which were not modeled to scale. In Maxwell, the size of the objects influences several aspects of the rendered image such as depth of field, transparency and subsurface scattering, so it is important to maintain a realistic scale in order to obtain accurate results.

Attenuation Scale Factor

This factor is multiplied into all the material attenuation values. Modifying the global scale changes the thickness of the objects in the scene, so transparent objects can change appearance due to increased or decreased attenuation. You can use this setting to tweak the scene if the attenuation settings are not to scale. However, same as with the previous setting, it is better to input realistic attenuation values for the materials, and leave this parameter at 1.

Displacement Scale Factor

All the absolute displacement height values are multiplied by this number. Materials using relative displacement height are not affected, since in that case the displacement is proportional to the size of the object.

Motion Type

Set what kind of motion is exported for motion blur:

  • Off: no motion blur is computed.
  • Movement + Deformation: full motion blur, using both changes in the object positions and local deformation such as skinning.
  • Movement Only: deformation is not exported. Some scenes can export faster in this mode and the render performance can improve as well.

Motion Steps

Set the number of positions exported for each object during the exposure interval. Maxwell will interpolate the movement between these positions. For linear motion, two steps are enough to reconstruct the correct path at render time. For more complex motion, such as objects following an irregular path, you will need to increase this parameter to obtain the desired result in the render. Using more steps slightly degrades rendering performance and can slow down the export process.

Read Back Multilight

When Multilight and MXI output are on and this option is checked, the plug-in will attempt to import emitter changes made during the render back into the scene. When the render finishes, you will be presented with a dialog where you can select which changes to read back:


Additional Flags

The contents of this box are passed verbatim on the command line when Maxwell is executed.

Override Image Output

When Maxwell finishes rendering, the plugin reads the final image and sends it to Max in order to show it in the Render View. Upon receiving the image, Max will overwrite the image with its' own version. For low range images this isn't a problem, however in the case of EXR and HDR renderings, it will overwrite some of the embedded channels that Maxwell writes. This setting was added to provide a way to keep the original file after the rendering is done by overriding the final location of the rendered image.

Persistent MXS / MXS Path

When rendering with Persistent MXS off (the default), the plug-in writes the scene to a temporary file which is removed after the render is finished. Enabling this option will leave the exported file on disk. This is useful if you ever need to resume or redo a render. If the MXS Path control is empty, the output scene path is computed by replacing the image file extension with MXS.

Specify MXI Path / MXI Path

Normally, if MXI writing is enabled, the path to the MXI file is computed by replacing the extension of the output image file with MXI. These two settings allow you to override the location of the MXI file written during rendering.

Use 3DSMax Instancing

When this setting is on, the plug-in will export Max instances as render instances. When it's off, Max instances are exported as copies. The Maxwell instancer node will always produce render instances, regardless of this setting.

Export Hidden Objects

 When this setting is on hidden objects are exported as hidden to camera, global illumination and second rays instead of being skipped altogether doing export.

Environment Settings

In this section you will be able to set Maxwell Physical Sky, Constant Dome and Sun. You can find Maxwell environment lighting settings details on this page. There are only a few 3dsmax-specific settings:


Geographical Location


This can be set into two different modes:

  • Manual: the sun direction is determined from the longitude, latitude and time settings found in the Geographical Location group.
  • Use a Daylight System: the sun direction will be linked to the orientation of a 3dsmax's Daylight system (from Create tab > Systems section). You can have as many of these as you want, but only the one selected in the dropdown list will be active for the current scene. This is very useful as you can have several Daylight Systems in the scene and activate the one you like for each shot; it also makes it easy to animate in order to make a solar study, you can easily rotate the north or use it in manual mode to position the sun manually without day, time and location constraints.


3dsmax's Daylight system used to control Maxwell's Physical Sky

Image Based Environment

In this section you can Activate the use of Image Based Lighting (or IBL). In 3dsmax it offers the same options as in Studio, which are explained in this page: Image Based Lighting

You only have to activate it using the checkbox at the top of the group. When you activate it, Sky Options still remain active, but will only be used in the channels in which you activate the option to "Use Sky"

If you want to combine both the Sky features (Sun, Sky, Constant Dome,...) and IBL or have two different sets of environmental situations in the same render (in order to play with them with Multilight) you can play with adding the second environment as an HDR or MXI emitter with a "Ghost BSDF" to a big sphere with flipped normals, so they point inside, placed around your geometry, that way you will have both light situations in the same render. It is explained in this quick video in Studio:

How to combine Maxwell environment with a second environment.

Channels

Apart from Custom alpha channel, there are no 3dsmax-specific settings in this group. See the general Channels page for a description of these options.


Custom alpha

Next to Custom Alpha channel toggle, you will find an Edit button:

It will open a window very similar to Studio's one:

Custom Alpha Channels panel


In this window, you can create as many Custom Alpha channels as you want. You can assign both objects or materials from the scene to each channel. You first have to create one channel, select it and click either on objects' or materials' + sign to add whatever you want to be included in the channel.

You can check this video to see how it can be done:


Custom Alpha channel assignment

When you have already assigned objects or materials to any channel, you will find related information in Objects Properties and in materials' Global Properties. You can also change that object or material to any channel through its own panel.


Material Custom Alpha Channels panel and Object's Custom Alpha Channel panel


In these panels, you will find listed all the custom alpha channels available and you can choose to add the object or material to it by toggling Enabled setting to Yes or No.

You will also find a couple of useful options if you right click in viewport when you have some objects selected:

  • Create custom alpha from selected objects. This will create a new custom alpha channel and will assign the selected object to it.
  • Create custom alpha from selected materials. This will create a new custom alpha channel and will assign the selected objects' materials to it.


Render Layers

This group allows you to select which kind of lighting is computed by the render. 

SimuLens

There are no 3dsmax-specific settings in this group. See the Simulens page for a description of these options.